All Cinedeck files, including pre-striped black files, can support up to 32 channels of audio.Īll Cinedecks write video and audio recordings as files to low cost and commonly available non-proprietary 2.5” SSD SATA drives. These black files can be recorded into while providing full random play access on another Cinedeck channel or they can be played with a third-party viewers such as QuickTime or VLC Media Player. All of these processes will often be more efficient than recreating the entire original destination file.Īdditionally, pre-striped or blacked files (Cinedeck VMM – Virtual Mastering Media), can be created in advance and used as an insert edit destination for recording or editing in a non-linear fashion. Directly on the Cinedeck, users can insert a live source into a file or perform frame accurate inserts of one file into another. Inserts can be performed directly from non-linear editors such as Avid Media Composer and Final Cut Pro, using the same procedures as if editing to tape. Simple, replacement of video and or audio in an existing file, similar to a traditional tape-to-tape insert edit, can be done with ProRes, DNxHD, AVC-Intra, JPEG 2000 and XDCAM HD content wrapped as MXF OpAtom, Op1a or MOV files. Redundant File Writing to selectable drives Network card(s) 8Gb, 10Gb, 16Gb, or fasterĭirect File Writes to Local and Network Drives XAVC/AVC Expander: HW encoder board for XAVC/AVCĪvid Interplay Workflow: Edit While Capture, Interplay Check-in and Multi-Res Workflow support. H.264 Expander: Additional channels of H.264 JPEG2000: Multi-channel encode capability Multichannel Expander: Additional record channels (note** codec support depends on ZX85 model) Flawless recordings, every timeĮven if your computer isn’t powerful enough to play a score back in all its glory, Sibelius can create a perfect, glitch-free audio file, by processing it at a speed that suits your computer.Up to 4K 60P record/play-thru or 2x 4K60P record. GPO for strings and Synthogy Ivory for piano, you only need do so once – just “set and forget. And if you want to tell Sibelius which device you prefer for particular sounds, e.g. Our revolutionary new way of categorising sounds, called SoundWorld™, ensures that Sibelius always chooses the most suitable sound available on any device – with no need to reset them if you switch equipment. Hairpins automatically read dynamics to work out how loud or soft they should end up, and sustained notes get continuously louder or softer along the hairpin. You can now specify exactly how articulations, lines, tremolos and symbols play back – for example, to change the length and loudness of accents and staccatos, the speed of tremolos, or how fast chords with wiggly arpeggio lines are spread. For example, you could add an acoustic solo instrument line to your Sibelius playback by recording your score into your DAW, or by making Sibelius and your DAW play back simultaneously. This opens up all kinds of possibilities for using Sibelius 6 with other audio software. It also synchronizes Sibelius with your DAW so they can play back at the same time – starting playback in one program sets it going simultaneously in the other. ReWire is a standard which lets you record audio from Sibelius 6 on a digital audio workstation (DAW), such as Pro Tools. Watch movie: Sibelius Sounds Essentials » ReWire This provides the full range of General MIDI sounds – from music box to gunshot – and is particularly suited to playing MIDI files, or for getting good playback on older computers. Sibelius 6 also comes with a General MIDI virtual instrument (using technology from M-Audio). Sibelius 6 provides up to 128 channels, so you can use as many different sounds at once as your computer can handle. There’s a new Sibelius Sounds Essentials library, with a variety of new and improved sounds from Garritan, Tapspace and AIR. and experience the new, improved piano in Sibelius 6 » Hear Sibelius Sounds Essentials in action.
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